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Emma Block Illustration - Creating Depth in Forest Scenes
About This Title
For this month's second video we are looking at creating depth in forest scenes.There’s lots of artistic devices we can use to help create a sense of depth, we can vary the tone making the trees in the background lighter by adding more water to the paint mix, we can use perspective making the trees smaller and higher up on the page, we can allow branches to overlap each other creating a sense of depth, we can have more detail on the trees in foreground, we can make trees in the background cooler in tone, and we can even use mixed media like pan pastels to create a hazy effect, pushing the background trees further into the distance. I hope this video is helpful!
MaterialsSketchbook - Fabriano Venezia
Cass Art - Heavy weight cartridge paper
Paint -Winsor and Newton designer gouache -Flame red, Primary red, Permanent yellow deep, Primary yellow, Ultramarine, Primary blue and Permanent white
Pencils -Caran d'Ache supracolor - Van Dyke Brown, sepia, brown ochre, Venetian red, yellow ochre, olive
Caran d'Ache NeoColorII -Light olive, Moss green, chromium oxide green, white,
Brushes - Proarte round size 5, round size 3, filbert size 6
Pan Pastels - Orange shade, burnt sienna tint
The books I mention are Mouse's Wood by Alice Melvin and What Do You See When you Look at a Tree by Emma Carlisle.
For this month's second video we are looking at creating depth in forest scenes.There’s lots of artistic devices we can use to help create a sense of depth, we can vary the tone making the trees in the background lighter by adding more water to the paint mix, we can use perspective making the trees smaller and higher up on the page, we can allow branches to overlap each other creating a sense of depth, we can have more detail on the trees in foreground, we can make trees in the background cooler in tone, and we can even use mixed media like pan pastels to create a hazy effect, pushing the background trees further into the distance. I hope this video is helpful!
MaterialsSketchbook - Fabriano Venezia
Cass Art - Heavy weight cartridge paper
Paint -Winsor and Newton designer gouache -Flame red, Primary red, Permanent yellow deep, Primary yellow, Ultramarine, Primary blue and Permanent white
Pencils -Caran d'Ache supracolor - Van Dyke Brown, sepia, brown ochre, Venetian red, yellow ochre, olive
Caran d'Ache NeoColorII -Light olive, Moss green, chromium oxide green, white,
Brushes - Proarte round size 5, round size 3, filbert size 6
Pan Pastels - Orange shade, burnt sienna tint
The books I mention are Mouse's Wood by Alice Melvin and What Do You See When you Look at a Tree by Emma Carlisle.
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